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‘Double Husky’ John Lam
is retiring from Boston Ballet.
He’ll be busier than ever

The 20-year ballet veteran has balanced fatherhood, college and the grueling demands of life as an elite professional dancer. Northeastern has helped him do it — and prepare for his next chapter.


John Lam dancing, midair in black and white.
John Lam will retire from the Boston Ballet on May 19 after 20 seasons with the company. Photo by John Lam by NYDance Project

There’s a lot to look at in “Bella Figura,” the 1995 landmark modern dance piece that caps off the Boston Ballet’s “Spring Experience” program. Set to a mashup of Baroque-era music, the piece calls for dancers to pull off picture-perfect forms while weaving in and out of dropped curtains, follow smooth lyrical passes with awkward contortions, and switch up the vibe at the drop of a hat: profound one moment, goofy the next.

John Lam, a 20-year Boston Ballet veteran, is at the heart of the shifting commotion. His body — a taut, precise instrument — anchors group formations and careful lifts, then abandons that sense of consideration by springing into unexpected action. In the middle of the piece, he lurches forward without warning and crumples loudly to the ground, prompting a collective gasp from the audience. Later, he gets laughs miming exaggerated gestures with a partner.  At the end, the music drops out for several bars; the pair dance in silence, then walk casually offstage. 

Next Sunday, May 19, that finale will mark the end of John Lam’s time with Boston Ballet, as well. “Bella Figura” will be the longtime principal dancer’s last piece with the company. He announced his retirement just a few weeks ago, after about six months of planning.

“I feel great,” he said in an interview a few days before “Spring Experience’s” opening night. “It’s great to reflect on the 20 years that I’ve had here, but I’m really excited for the future. I’m still going to be dancing.”

Jon Lam in graduation regalia, smiling in an empty theater.
John Lam graduated with a master’s in nonprofit management from Northeastern University in May. Courtesy photo

It’s Lam’s second “graduation” of sorts this month. This spring, he finished his master’s degree in nonprofit management at Northeastern University, making him a “double Husky.” He earned his bachelor’s in 2023, both degrees thanks to a partnership between Northeastern and the Boston Ballet that offers company members tuition scholarships and flexible frameworks to tailor their degrees around the all-consuming demands of professional dance careers.

Most of us might take a breather after achieving two major milestones within a few weeks of each other. Most of us, though, are not world-class ballet dancers, who thrive on full days, exactitude and high expectations. Lam is no exception, and he has zero intention of slowing down. “He’s always incredibly busy, that man,” says Ari Schaaff, the academic liaison between Northeastern and enrolled Boston Ballet dancers.
In the fall, Lam will join the dance faculty of Boston Conservatory at Berklee. He’s looking forward to the position’s fixed schedule, which will allow him to be home most afternoons with his 8- and 10-year-old sons. He’s also finishing a memoir and hatching plans to put his Northeastern degree into practice by founding a dance-focused nonprofit.

Still in its infancy, the idea is to partner with renowned choreographers to create new solo dance pieces in intimate settings, with the goal of making dance performance and education accessible to a broader audience.

In whatever time is left, he’s also thinking seriously about pursuing his doctorate of education from Northeastern, his academic home for the past decade.

“I wouldn’t be surprised to see him experiment in many different arenas,” says Anthony Randazzo, a rehearsal director at Boston Ballet who has worked with Lam since he arrived at the company as a teenager in 2003. “He may be busier in the next 20 years than he was in the last 20 years.”

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